![]() Origins takes an almost full 180 from the gothic ruins of the previous two titles and instead shows the setting in it's prime the new areas of the map offer the player skyscrapers and open streets, and even the returning areas are given refreshing new coat of paint since they have yet to fall into ruin.The various walls are covered in large neon signs, the roads are littered with garbage and junk, and the light snowfall Gotham is experiencing adds a nice finishing touch to the cramped hellhole that is Arkham City. City provides the player an isolated part of Gotham City turned into an improvised prison, and like its predecessor, manages to give all its' four parts an unique appearance.Depending on who you ask, the remaster's added rain makes it even more gorgeous to look at. Asylum's titular Arkham Asylum and the island its built on provides a very memorable gothic setting, with each building providing an unique experience, ranging from dark hallways to huge gardens.Even things like the size of the moon are taken to account! Awesome Art: One thing that every game in the series nails is the environmental design.It would also be a great excuse for Reeves to rework Keoghan's deleted scene with Pattinson. Therefore, this one-shot - should he feature in HBO's Arkham series - could help shape what the Joker's dynamic with the Dark Knight looks like here. Reeves expressed in the same Variety interview that his Joker has already been established opposite Pattinson's Batman in this universe. Using Brubaker's comic in a balance with The Killing Joke could be interesting for a new take, and the latter could serve better in terms of the context of Reeves' timeline. Whether it's Christopher Nolan's The Dark Knight or Todd Phillips' Joker, this comic is used in some capacity when trying to carve out a new live-action iteration of the character. Unlike The Man Who Laughs, this one-shot comic book takes place further along Batman's career, as it details the infamous attack on Barbara Gordon by the sadistic villain. Since Reeves likes having a universe that's already partly fleshed out with characters - on or offscreen - Living Hell would be a fantastic blueprint for showing some of the villains he wants to use in The Batman's universe.Īs far as stories that do have the Clown Prince of Crime front and center, Alan Moore and Brian Bolland's The Killing Joke is arguably the best Joker story ever written. ![]() The plan clearly backfires, as he's sent through a grueling and nightmarish stay at Arkham where he's brutalized by the likes of Mr. ![]() ![]() Living Hell also functions as an origin story for the Batman villain Great White Shark a white-collar criminal who thinks he can escape jail time by pleading he is mentally ill. RELATED: 6 Worst Things To Happen To The Dark Knight In The Batman Movie It could fit a TV series nicely should the premise focus on a handful of characters, especially the villains. ![]() This would be particularly unique source material, as the miniseries features a revolving cast of characters' POVs. Another example almost as much of a given as A Serious House on Serious Earth, Dan Slott and Ryan Sook's Arkham Asylum: Living Hell would serve as great inspiration for bringing to life the horror show that is the asylum. ![]()
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